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Listen
to the Wind
The Story of
Dr. Greg and Three Cups of Tea (2009)
Dial Books for Young Readers
(by Greg Mortenson and Susan L. Roth
collages by Susan L. Roth)
“Listen to the Wind” tells Mortenson’s story in the clear, succinct voices of the children of Korphe. Leaving out background and history, the picture-book version is nevertheless true to the spirit of Mortenson’s experience and mission. The minimal text is splendidly paired with Susan L. Roth’s textural, earth-toned collages, which evoke the roughness of the terrain and the primitive quality of life there. A community spirit pervades: on nearly every spread, we see the multitude of villagers (girls in colorful headscarves; dark-haired boys) who worked with Mortenson to build their school. “Our mothers carried water to mix the cement. . . . With our small fingers we wedged tiny slivers of stones into the cement to make the walls stronger.” The raw quality of the art is counterbalanced by a “Korphe Scrapbook” of color photos documenting the people and places, helping answer a child’s question: Is this true?"
- New York Times
" The remarkable account of [Greg Mortenson's]
quest...is magnificently enhanced [in LISTEN
TO THE WIND] by Roth’s colorful collages.
As explained in an artist’s note, she incorporated
fabric, bits of paper, and other fibers into
the scenery in appreciation of the Balti people’s
aesthetic use of scraps. “A Korphe Scrapbook”
follows the story, displaying photographs
of the events, the village’s inhabitants,
and the librarian who helped to fill this
school and the 57 more schools that have since
been built in Pakistan and Afghanistan...This
truly exceptional and moving title should
not be missed."
- starred review, School Library
Journal
" The [Listen to the Wind] narrative
successfully compresses Mortenson’s story
by focusing on the elements most important
to children: the stranger’s appearance, the
drama of the construction, the happy conclusion.
Colorful fabric, cut-paper, and even computer-chip
collages portray the dramatic landscape and
incredible undertaking. Children will also
enjoy an appended scrapbook of photographs,
maps, and additional information."
- starred review, Booklist
"Susan Roth’s intricately constructed
collage-illustrations bring alive the cold
immensity of the mountains, the warm charm
of the Korphe children, and the cheerfulness
of the apricot orchards. There is also a lovely
synchronicity at work here that binds the
story to the collage medium. As Roth explains
in the book’s afterword, the women in Korphe
routinely use bits of things that foreign
climbers leave behind to make all sorts of
things, and Roth has done the same, gathering
scraps of paper and cloth to make something
extraordinarily beautiful."
- PaperTigers
"[Susan L. Roth's] work has a welcoming,
tactile dimension—readers would want to touch
the fabric headscarves, for example. A detailed
scrapbook featuring photos from Three Cups
of Tea and an artist's note firmly ground
the book in fact."
- Publishers Weekly
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Babies Can’t Eat
Kimchee! (2006) Bloomsbury Children’s
Books
(written and illustrated with Nancy Patz)
“Bold and brilliant collage, ink and pastel
illustrations expressively capture the big
sister's emerging attachment for her little
sister. Perfect for families introducing new
babies to older siblings.”
- Kirkus Reviews
“[The] Korean-American perspective and mixed-media
collage illustrations set the title apart...
This book is a welcome addition to an overpopulated
field.”
- School Library Journal |
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Do Re Mi
If You Can Read Music,
Thank Guido D'Arezzo (2007) Houghton
Mifflin
(in collaboration with Angelo Mafucci)
“Roth's ingenious and intricate illustrations,
made of papers "from all over the world,"
constitute a unique vocabulary themselves.
A sublime blend of education and entertainment.
- Kirkus Reviews
“The words are basic, lyrical, and inspiring…an
appealing, accessible, and thought-provoking
introduction to a rarely covered subject.
A bibliography and an author's note conclude
the volume.”
- Booklist
“Roth's collages, populated by doll-like
figures, quickly shoo away any misgivings
that music history could be a bore, and make
a marvelous counterpoint for her carefully
researched prose.”
- Publishers Weekly
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Great Big Guinea
Pigs (2006) Bloomsbury Children’s Books
• A Junior Library Guild Selection
“Thanks to the snappy dialogue, this is catalogued
as fiction, but it is full of factual information…Roth
produces her typically super collage art made
of torn papers. She manages to make her guinea
pigs look equally adorable (in the present)
and ferocious (in the past.)”
- starred review, Booklist
“Fun to read and visually engaging, the book
also presents fascinating information based
on recent scientific discoveries. . . . The
idea of introducing prehistoric mammals within
a bedtime tale is original and highly successful.”
- School Library Journal
“Choice of the familiar household pet to
teach a little science, the delightful art
and the not-so-unusual bedtime stall, make
this enormously attractive to young readers.”
- Kirkus Reviews
“Super collage art.”
- Booklist |
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Hanukkah, Oh Hanukkah
(2004) Dial
“Bright collage art using a wealth of textured,
patterned papers and lace bring this traditional
holiday song to life.”
- Kirkus Reviews
“The art… shines with holiday cheer.”
- Booklist
“Lovely colors and the appealing tune make
this a good holiday choice.”
- School Library Journal |
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Hard Hat Area
(2004) Bloomsbury Children’s Books
• A Children's Book-of-the-month Club
Selection
• A Bank Street College Best Children’s
Book of the Year
• A Children’s Book Council notable
Social Studies Trade Book
“Combine the aesthetics of accomplished collagist
Roth with a day-in-the-life tale of a female
ironworker apprentice, and the result is a
standout construction book... By creating
barebones characterizations of cut-paper and
cloth... Roth keeps the focus on the dramatic
rise of the building and beautifully conveys
what it feels like to move among the criss-crossing
girders high above the city streets (represented
in photomontage with images from actual Manhattan
work sites). She brings alive the ironworkers'
sense of community, and how they embrace anyone
willing to start at the bottom and work their
way up-make that way, way up.”
- starred review, Publishers
Weekly
“Kids who are intrigued by construction sites
and equipment will find this unusually structured
book a solid hit... Roth's stunning collage
illustrations include real denim and cork
for the worker's clothes and intriguing montages
of city buildings spread out far below the
workers.”
- Kirkus Reviews
“Roth's stunning collages, overlaid on a
photomontage of the New York skyline, showcase
the various workers, their jobs, and their
equipment in situ; clear explanatory notes
describe the work and responsibilities for
each person involved in the construction.
This co-existence of story narrative and enumeration
of factual information allows readers two
entries into the subject. While each element
can stand alone, in combination they provide
a rich reading experience.”
- The Horn Book
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My Love for You
All Year Round (2003) Dial
“Multilayered cut-paper collages are filled
with colorful details. The warm hues perfectly
match the story’s sentiment. A gentle book
for one-on-one snuggling, as well as a wonderful
way to learn about the months and the vocabulary
of emotions.”
- School Library Journal
“Roth manipulates her delicate, beautifully
shaded papers in ways that appeal to both
the adult eye and the child's sensibility.”
- Booklist
“The comforting text, combined with the stunning
collages, provides a compelling exploration
of the year and its seasons for young readers.”
- Kirkus Reviews
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Nothing But Miracles
(2003) National Geographic Society
“An abridgement of the essay from Leaves of
Grass is illustrated with charming collages
that find a family of cats... celebrating life’s
joyful moments.”
- New York Magazine
“Susan Roth has illustrated the text (selected
from Whitman’s well-known Leaves of Grass)
with stunning collages that show a cat family
appreciating the surrounding world. Roth’s
visual interpretations of certain lines can
be both touching and gently humorous.”
- Washington Parent
“Roth emphasizes the pieced-together, free-verse
structure of the poem through her bright collage
illustrations. This uplifting presentation
can bring Whitman's poem to life for young
audiences.”
- School Library Journal
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It’s Still a Dog’s
New York (2001) National Geographic Society
“Roth had just finished It's
a Dog's New York when the tragic events
of September 11th occurred. Although the entire
nation was in shock, she felt particularly saddened
for the children of New York City. She went
back to the drawing board and created a smaller
version of the original, rewriting the text
and slightly changing the title. With the aid
of several child psychologists, she tried to
address some of the fears and questions that
youngsters might have about the horrible events...
The narrative is boldly displayed over colorful
collages picturing famous spots, including Central
Park, the Metropolitan Museum, and the Empire
State Building. [The book] will be most appreciated
by parents who will read it with or to their
youngsters and discuss the consequences of 9/11.”
- School Library Journal |
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It's a Dog's New
York (2001) National Geographic Society
“...Susan L. Roth's background illustrations,
collages of cut-up photographs of New York,
are marvelous. They capture the jangling clatter,
the pace, the images and colors of the place
in a way that will touch the heart of anyone
who loves it.”
- The New York Times Book
Review
“It’s a tale (tail?) that’s been told before
- country dog meets city dog - but this version
is more like Tony Soprano meets Lassie...
Parents give it a thumbs-up.”
- New York Magazine |
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Happy Birthday
Mr. Kang (2001) National Geographic
Society
• Notable Social Studies Trade Books
for Young Readers
• National Council for the Social Studies
• Art Directors Club of Metropolitan
Washington Certificate of Merit
“Roth's sumptuous, sophisticated collages
fittingly chronicle this affecting tale of
a Chinese-American retiree and his grandson...
This poignant volume honors the value of one's
native heritage while paying homage to America's
great diversity.”
- starred review, Publishers
Weekly
“At his 70th birthday party Mr. Kang, who
came from China to New York 43 years earlier,
told his three wishes. He wanted to read the
newspaper [The New York Times] every day,
paint poems and have a hua
mei, a pet bird, that he can take to
Sara Delano Roosevelt Park in Chinatown every
Sunday. This endearing book with handsome
collage illustrations tells just how he achieved
his heart’s desire.”
- The New York Times Book
Review
“Roth...honors the memory of her Chinese
uncle through her story, which is partially
based on her uncle's immigrant experiences
and his talents as a poet and calligrapher...Roth's
elegant collage illustrations are a delight
to peruse, incorporating paper-cut figures,
rice papers, brocades, feathers, newspaper
scraps, and photographs to create a dynamic
flow of art. Text is place carefully within
its own frame on top of one side of each exquisitely
crafted two-page spread.”
- Kirkus Reviews
"For his seventieth birthday, Mr. Kang
has three wishes: to read The New York Times,
to paint poems, and to own a hua mei, a Chinese
bird... [T]he inventive collage illustrations
will draw children back into the quiet story,
which offers glimpses of an artist, an immigrant's
experience, and a close, intergenerational
relationship."
- Booklist
"Roth's mixed-media collages are visually
arresting... fanciful constructions of cut
paper, photographs, silk brocades, Chinese
restaurant menus, woven wooden slats, newspaper
clippings and corrugated cardboard that coexist
in vibrant harmony with bordered blocks of
text in a bold font suggestive of hand lettering."
- The Bulletin of the Center
for Children's Books
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Grandpa Blows His
Penny Whistle Until the Angels Sing (2001)
Barefoot Books
“Roth... pairs her long but simply told miracle
tale with huge, stunning collages made from
tissue, handmade papers, fabrics, and leaves...
It's a heart-filling (not to mention eye-filling)
episode that will leave few readers unmoved-and
the art is astonishing .”
- starred review, Kirkus Review
“Roth’s straightforward words and collage
images form an exquisite partnership that
opens the door to this farm family’s heart...
The artwork is unique and often stunning.”
- starred review, School Library
Journal
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Made in Mexico
(2000) National Geographic Society
(written by Peter Laufer)
Hecho en Mexico
(Published simultaneously in Spanish)
• Lasting Connections; American Library
Association
• Notable Social Studies Trade Books
for Young People
• National Council for the Social Studies
• A National Parenting Publications
Gold Award
“I learned to play guitar on an instrument
made in Paracho, Mexico. This lovely book
with its charming illustrations is a fitting
tribute to the town and the culture that produces
these fine-sounding instruments.”
- Linda Ronstadt
“Cut-paper collages and a custom-designed
and hand-cut type vibrantly illustrate a text
that melds Spanish idioms with readable English
to produce a rhythmic introduction to a fascinating
and little-known place.”
- School Library Journal |
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Night-Time Numbers
A Scary Counting Book
(1999) Barefoot Books
“What creepy-crawlies lurk in the dark? ...Vibrant
collage illustrations in a wide variety of
textures complement the short rhyming text,
and culminate in a golden yellow scene showing
an angel watching over the sleeping child,
who, having named her fears, can now sleep
soundly.”
- Kirkus Reviews
“Night-time can be a scary with suspected
spooky creatures hiding in the darkness. Count
from one ghoulish monster to ten chilling
bats, and count them in the eerie darkness
of night. ‘Who can you see in the backyard
tonight? I can see one monster in the pale
moonlight.’ Six sharks swim in the bathtub,
seven spiders spin webs in the toy chest and
eight ghosts haunt an ancient closet. Roth's
cut paper collages bring a comforting visitor
at the end to banish any night-time monsters.”
- Children's Literature |
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Cinnamon's Day
Out
A Gerbil Adventure
(1998) Dial
• A New York Public Library “100 Titles
for Reading and Sharing”
“Illustrated with vivid and expressive collages
composed of wood chips, cardboard, wallpaper,
an assortment of fibers, and textured, handmade
papers, this is the thoroughly charming tale
of a gerbil's unexpected adventure outside
his cage...Spare text, perfect pacing, innovative
illustrations, and delightful tongue-in-cheek
humor make this work on many levels.”
- Kirkus Reviews
“Cinnamon is a gerbil with a personality.
He tells his friend Snowball about his big
adventure outside their cage. He climbed a
mountain (a stack of books), spied a wolf
(a dog), found a pond (cat's water dish),
and escaped from a tiger (housecat). The adventure
is related visually from Cinnamon's perspective
and Roth's cut paper collages and mixed media
scenes are wonderful. The center spread with
the big cat created out of corrugated paper
is just wonderful. Little Cinnamon looks so
real, you want to stroke his furry body. Young
children will share in this daring outing
by the brave little gerbil and will want it
read to them more than once.”
- Children's Literature |
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Leon's Story
(1997) Farrar Straus Giroux
(written by Leon Walter Tillage) •
Boston Globe - Horn Book Awards Winner, Nonfiction
• A Junior Library Guild Selection.
• Best Books for Young Adults; American
Library Association-YALSA
• Best Children's Books of the Year;
Bank Street College of Education
• Booklist: Editors' Choice: Books for
Youth; American Library Association
• Capitol Choices; The Capitol Choices
Committee
• Fanfare Honor List; Horn Book
• Lasting Connections; American Library
Association
• Notable Children's Trade Books in
the Field of the Social Studies
• National Council for the Social Studies
• Smithsonian Magazine's Notable Books
for Children
• Children's Books of Distinction; Riverbank
Review
• Notable Books for Children; American
Library Association-ALSC
• Notable Social Studies Trade Books
for Young People
• National Council for the Social Studies
• Teachers' Choices; International Reading
Association
• Georgia Children's Literature Awards
• Pennsylvania Young Readers' Choice
Award
• Texas Lone Star Reading List
• Virginia’s Jefferson Cup Award Winner
“In this riveting autobiography, Baltimore
janitor Leon Walter Tillage reflects on his
life with all the vitality of a storyteller
gathering his audience around him. He recalls
his childhood as an African American sharecropper's
son in 1940s North Carolina...Tillage's words
describe a time, only a few short decades
back, when Klansmen and Jim Crow laws ruled
the South ... Roth's dramatic black-and-white
collages pay homage to the power of Leon's
story, a tale that does more in its gentle
way to expose the horrors of racism than most
works of fiction ever could.”
- starred review, Publishers
Weekly
“The full strength of character of Leon Tillage
and those he represents is revealed in the
plain dignity of his words.”
- starred review, The Horn
Book
“His voice is direct, the words are simple.
There is no rhetoric, no commentary, no bitterness,
just the facts of his personal story set against
the segregation of the time.”
- starred review, Booklist
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My Love For You
(1997) Dial
• Adventuring with Books: A Booklist
for Pre-K - Grade 6, 12th Edition
• National Council of Teachers of English
“The quantification of love is an inexhaustible
subject. In this rodent romance, a little
mouse confides and counts a love bigger than
one bear, taller than two giraffes and so
on, through ten kinds of large animals, and
larger than all of them together. Charming,
mostly pastel, collage illustrations.”
- The New York Times Book
Review
“Roth creates charming collages that quietly
- then thunderously - spell out the size,
strength, durability, and expanse of the love
one mouse has for another.”
- Kirkus Reviews
“A counting book with a nice surprise: a simple
charm, a loving voice, and a subtext about
racial harmony... Colorful, expressive cut-paper
collages... add to the appeal of the book.”
- Booklist |
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White Crow (1996)
Harcourt, Brace
(written by Shirley Frederick)
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How the Sky Got
Its Stars (1996) Harcourt, Brace
(retold by Gail Tuchman)
(Educational supplement publication) |
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Brave Martha and
the Dragon (1996) Dial
“Collage has become an increasingly popular
illustration medium for picture books, but
Roth’s work is particularly fine. Paper and
cloth cut into jaunty shapes create pictures
of great liveliness and charm.”
- Booklist
“Ms. Roth’s fine storytelling brings this
tale to life, giving it a fresh, contemporary
feel.”
- The Washington Times
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The Biggest Frog
in Australia (1996) Simon and Schuster
• An Aesop Accolade, American Folklore
Society
• An American Booksellers Association
Pick of the Lists
• Kaleidoscope, A Multicultural Booklist
for Grades K-8, National Council of Teachers
of English
• Aesop Prize Accolade
• A Kentucky Bluegrass Award
“This original tall tale, inspired by ‘Tiddalik
the Flood-maker’ contains familiar motifs
presented with fresh energy... Brilliantly
colored cut-paper collages feature a multitude
of textures, including fuzzy white paper that
forms the kookaburra’s feathers and the koala’s
ears, and marbleized paper to depict water.”
- starred review, School Library
Journal
“Roth achieves startling collage images that
beautifully enhance a comic Australian folktale...The
colors, textures, and layout of the illustrations
place readers smack-dab in the Australian
outback. There are other stories about Tiddalik
the frog - Roth mentions her inspiration in
an author's note, and also provides a glossary
- but this one casts a very long spell.”
- Kirkus Reviews
“Roth gathered papers from all over the world,
eucalyptus leaves from California and a myth
from the Dreamtime. From these she has created
a book with sparkle and loads of kid-appeal.”
- The San Diego Union Tribune
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Creak, Thump, Bonk!
A Very Spooky Mystery (1995) Simon and Schuster
“The text is sparse - only 45 words - but
Roth packs it with visual appeal by using
a variety of lettering styles and colors to
achieve special effects.”
- School Library Journal
“Three children and a dog tiptoe around in
the dark, crawling, bumping into one another,
shining flashlights, and finding ways to be
startled and scared. The collage illustrations
- constructed of paper and fabric (specifically,
cloth closely associated with the manufacture
of pajamas) - convey a strong sense of undirected
physical activity usually linked to wandering
through the night...”
- Kirkus Reviews
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How the Sky's Housekeeper
Wore Her Scarves
(1995) Little, Brown
(written by Patricia Hooper)
“While Hooper's textual explanation of why
we have rainbows is notably inventive, it
is Roth's almost hyperactive collages that
hog the spotlight... The collages, cheeky
in their multiplicity of colors, patterns,
and textures, are a visual smorgasbord.”
- Booklist
“The old lady who lives in a house at the
back of the wind has her chores to do....
For each of these tasks she dons a scarf of
a different color.... Roth brings to the amiable
show bright, busy collages; these are original
and entertaining ...”
- Kirkus Reviews |
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How Thunder and
Lightning Came to Be (1995) Dial
(retold by Beatrice Orcutt Harrell)
• A Wisconsin Library Association Outstanding
Achievement
• A Cooperative Children's Book Center
Choice
“An inspired story and visual pleasure, from
a new author and a well-known collagist...
Roth's pages are bright, good-humored, and
wildly inventive; lightning is rendered in
broken and sprinkled snatches of white darting
across the page. Her ability to compose canny
gestures and poses - the leaning close for
a whisper, a crazy-legged pursuit of tumbling
eggs - is almost eerie and always effective.”
- Kirkus Reviews
“Roth outdoes herself with the exceptional
cut-paper collages illustrating this folktale,
told by a debut author of Choctaw descent...
So intricate and detailed is Roth's scissorwork
that electric-blue Heloha and robust red Melatha
seem constructed of feathers, not paper.”
- Publishers Weekly
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The Great Ball
Game (1994) Dial
(retold by Joseph Bruchac)
• A Junior Library Guild Selection
• A Notable Children’s Trade Book in
the Field of Social Studies
• A Maryland Black-Eyed Susan Picture
Book Award
• A Wisconsin Library Association Outstanding
Achievement
• A Child Study Children’s Book Committee
Children’s Book of the Year
• Kaleidoscope, A Multicultural Booklist
for Grades K-8, Second Edition; National Council
of Teachers of English
“Bruchac’s retelling is elegant and graceful...
The story is enhanced by Roth’s artful cut-
and torn-paper collages...”
- The Horn Book
“How the bat found its niche in the animal
kingdom and why birds fly south in winter
are explained in this Muskogee tale, one of
a dozen similar stories on the topic found
in Native American lore...Roth's distinctive
collages have a Red Grooms busyness ranging
from bright and appealing to appropriately
subtle, rendered from elegant handmade papers
gathered in Tibet, Italy, Japan, and Thailand.”
- Kirkus Reviews
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Buddha (1994)
Bantam Doubleday Dell
“Roth’s writing stresses the vitality of
this tale from one of the world's great religions;
she underscores its impact with a factual
afterword. The collages here are especially
beautiful, radiant in color and zestful in
spirit. They hum with details of another culture,
and yet retain a universal simplicity."
- Publishers Weekly
“The extraordinary illustrations are collage
torn from handmade paper... An ambitious offering.”
- Booklist
“Susan L. Roth’s rich retelling of the life
of the great religious leader…”
- The San Francisco Chronicle
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Pass the Fritters,
Critters
(written by Cheryl Chapman)
• Represented in The Original Art Show,
Society of Illustrators, N.Y.C.
• A Parents’ Choice Honor
• A Children’s Book-of-the-Month Club
Selection
“If Miss Manners swallowed a rhyming dictionary,
she might have produced this spirited seminar
on lunchtime etiquette... Roth’s cut-paper
collages... add to the zaniness with gay swaths
of color and festive touches.”
- starred review, Publishers
Weekly
“Chapman’s first book is an ingenious exploration
of language, rhymes, and manners... The toothy
alligator and the other animals, plus a brown-skinned
child, are all cheerfully rendered in arresting
collages of paper and fabric in vibrant colors.
After a first reading, kids will enjoy chiming
in on the answers.”
- Kirkus Reviews |
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Princess (1993)
Hyperion
“The visually arresting elements of this
glossy plum keep excellent company with an
understated comic text. When her mother attempts
to wake her for school, a sleepy child muses
about what life might be like if she were
a princess.… Each of the daydream’s episodes
is augmented by a full spread of well-designed,
highly textured collage in sparkling colors
that fairly spin off the page... Fit for a
princess.”
- Publishers Weekly |
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Ishi's Tale of
Lizard (1992) Farrar Straus Giroux
(translated by Leanne Hinton)
• An American Booksellers Association
Pick of the List
• An Aesop Accolade, American Folklore
Society
• A Bulletin Blue Ribbon Book
“[A] wonderfully imagined and moving book.”
- The New York Times Book
Review
“With background notes that would warm the
cockles of an anthropologist’s heart, Hinton
has adapted some of the episodes told by Ishi,
last of the California Yahi tribe, during
the second decade of the twentieth century.
From both an artistic and folkloristic point
of view, Ishi’s story of Lizard is an intriguing
one.”
- starred review, The Bulletin
for the Center of Children’s Books
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Another Christmas
(1992) Morrow Junior Books
“The year after Grandpa died, Dad takes the
family to Puerto Rico for Christmas. It’s
all very different, but Grandma makes important
things the same for Ben – a tree, the right
angel, gingerbread men. Ebullient collage
illustrations.”
- The New York Times Book
Review
“Roth’s vibrant cut-paper collages seem to
leap off the page; her choice of color perfectly
suits the sun-drenched island landscape. A
book which brims with life as it sensitively
explores the responses of those who carry
on after the death of a beloved family member.”
- The Horn Book
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Gypsy Bird Song
(1991) Farrar Straus Giroux
• Represented in The Original Art Show,
Society of Illustrators, N.Y.C
“Each page of this bold and eye-catching
volume features a stunning cut-paper collage
and an accompanying free-verse poem providing
glimpses into many of the traditional aspects
of gypsy life... A rousing introduction to
a proud minority culture.”
- School Library Journal
“Visually arresting with bold patterns and
bright colors, this picture book celebrates
gypsies through the voice of a girl who revels
in her family's way of life: the caravans,
tinkering, fortune-telling, music, food, dress,
bargaining, signs, campfires, dances, and
kinship to nature... Just as the artwork is
a series of cut-paper collages, so the text
is a collage of free verse that forms a picture
of gypsy ways.”
- Booklist
“Roth’s brilliant collages of cut paper
and fabric leap from the pages, and her words
bounce you along in a horse-drawn wagon as
she takes the reader for a ride through a
gypsy family’s day. Ms. Roth... has crafted
another winner.”
- The Baltimore Sun
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The Story of Light
(1990) Morrow Junior Books
• An American Booksellers Association
Pick of the List
• A New York Public Library “100 Titles
for Reading and Sharing”
• A Notable Children's Trade Book in
the Field of Social Studies
• Kaleidoscope, A Multicultural Booklist
for Grades K-8
• National Council of Teachers of English
• A Maryland Black-Eyed Susan Picture
Book Award
“Throughout her visually stunning retelling
of how the animals brought sunlight to the
dark side of the earth, author Roth deploys
her strong black-and-white effects like a
magician... Roth’s illustrations are not only
exciting, they’re hypnotic. A+”
- Entertainment Weekly
“In this Cherokee tale the animal people
send possum, then buzzard, for light to dispel
the dark on their side of the world; but lowly
spider is the one who is finally able to bring
the sun to her people. Roth illustrates her
gracefully cadenced text with dramatic collages
(they look like linoleum prints) in black
and brilliant yellow. A striking book distinguished
by outstanding use of graphics.”
- Kirkus Reviews
“The unity of story and pictures here is
remarkable.”
- The Chicago Tribune
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Marco Polo: His
Notebook (1990) Bantam Doubleday Dell
“In short journal entries this handsome
slim volume captures some of the Italian explorer’s
great adventures as he and his father and
uncle traveled all the way through Asia on
a journey that took 24 years.”
- The New York Times Book
Review
“This handsome volume is a fictional diary
of the journeys of Marco Polo... [A]n eloquent
introduction to the man and the journey that
opened many Western eyes to Eastern ways.”
- Booklist
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We'll Ride Elephants
Through Brooklyn (1989) Farrar Straus
Giroux
• Represented in The Original Art Show,
Society of Illustrators, N.Y.C.
“When Grandpa gets better, the narrator of
this joyful anthem announces there will be
a slam-bang parade and celebration.”
- The New York Times Book
Review
“Brilliantly colored and highly stylized collages
provide a sunny, joyous atmosphere for the
text. The little girl's hair streams across
the pages like sunbeams. This is another tribute
to intergenerational love, a popular subject
these days, and surely a reflection of the
childhood yearning for everything to be okay.”
- School Library Journal
“In a joyous cut-paper collage that matches
her cheerful text, the narrator imagines the
family celebration ‘when Grandpa gets better’...
Bold, colorful illustrations make this a winning
portrait of family rejoicing.”
- Kirkus Reviews
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Fire Came to the
Earth People (1988) St. Martin's Press
• A New York Times
Best Illustrated Children's Book
“A folk tale starring the chameleon and tortoise
is told in brilliant collages.”
- The New York Times Book
Review
”The story, told in rhythmic language, is
illustrated with bright, bold collages based
on appliqué stitcheries created by
the Dahomean people. The vivid, elemental
images on black backgrounds are both handsome
and evocative, adding much to the telling.”
- Booklist
“Lyrical and lovely.”
- The Daily News, New York
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Kanahena (1988)
St. Martin's Press
“This lively retelling of the traditional
Cherokee tale of Terrapin, who outwits the
Bad Wolf and the Other Wolves, is paired with
strikingly imaginative collage illustrations...
[A] handsome presentation.”
- Booklist |
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We Build A Climber
(1986) Atheneum
(written with Ruth Phang)
“[T]he concept is excellent, and the woodcuts
with which the book are illustrated, delightful.”
- School Library Journal |
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Patchwork Tales (1984)
Atheneum
(written with Ruth Phang)
• A Teacher’s Choice
• A Cooperative Children’s Book Center
Choice
“When the granddaughter asks for a quilt of
her own, Grandma suggests they make one together.
Brief directions for a doll’s quilt follow.
. . . A charming book, thoughtfully put together.”
- School Library Journal
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